Susan C. Dunlap
susan c dunlap (at) hotmail (dot) com
  • CV
  • Apical images - Cactaceae
    • Acanthocalycium
    • Ariocarpus
    • Astrophytum
    • Austrocylindropuntia
    • Aztekium
    • Cleistocactus
    • Coryphantha
    • Ferocactus
  • Apical Images
    • Arctostaphylos
    • Artemesia, Erigeron, Lavandula, Viburnum
    • Buxus
    • Ceanothus
    • Cistus
    • Cotoneaster
    • Euphorbia
    • Geranium
    • Rhododendron
    • Salvia
  • Butterflies in Mind: Perennials
  • Butterflies in Mind: photographs depicting an insect's view of nectar plants
    • Asclepias
    • Aster
    • Bidens
    • Buddleja
    • Ceanothus
    • Cirsium
    • Echinacea
    • Salvia
    • Eriogonum
    • Gaillardia
    • Lantana
    • Tagetes
    • Taraxacum
    • Trifolium
    • Verbena
    • Zinnia
  • Butterflies in Mind: Monarch Nectar Plants
  • Sculpture: The Great Spirit Path 1980-1985
  • Paintings in Oil: Abstracts with Contemporary & Ancient Chinese Characters. 2011-2014
  • Paintings in Oil: Luminous Old Master Abstracts. 1996-2010
  • Paintings in Oil: Clay Face Series. Late 1990's
  • Paintings in Oil: About Loss. Mid 1990's
  • Paintings in Oil: Floral Series. Early 1990's
  • Paintings in Watercolor: Contemporary Chinese Characters. 2010
  • Paintings in Watercolor: Invertebrate Series. Based on the work of Haeckel and the 1872 HMS Challenger expedition . Mid-Late 1980's
  • Paintings in Watercolor: Fantasy Series. Early 1980's
  • Photographs: Sample from Aerulean Software & Issued U.S. Patents. 2001-2014
  • Photographs: Clay Face Series. 1995 - 2016
  • Thoreau Center Exhibit 2015
  • Contact
  • Testimonials
Paintings in Oil: Abstract Series. 1996-2010
Some are available for purchase.

These paintings emerged directly out of the "Clay Face" portrait series.  When standing at some distance from one of those portraits, the face is quite obvious. But close in, a two foot square section of clay-covered cheek is quite abstract.  While painting these close-in sections I began to appreciate the virtues of abstraction.  

The paintings below are executed using old master techniques—by applying multiple glaze layers. As with my watercolors, these pieces are luminous and convey crisply defined 'floating' shapes. The floating shapes create overlapping layers that lend a three-dimensional quality to the painting. Capturing three-dimensionality in paint has been a consistent theme throughout my career— a theme enabling me to communicate an appreciation for the human body and for the immense range of life-forms in nature. 

The large pieces take on average one year to complete. 
Picture
'Manuelized' 60" x 84" 2007-2010
'Innerform' 60" x 84" 2004–2007 Available
'Cleoism' 60" x 84" 2000–2007 Available
'Nine Eleven III' 48" x 60" 2001–2007 Available
'Nine Eleven' 60" x 84" 2001–2007 Available
'Nine Eleven II' 48" x 60" 2001–2007 Available
Confetti' 40" x 84" 2000–2008 Available
Kaleidoscope 60" x 84" 2001–2007. Sold.
'Keyways' 48" x 60" 2000. Sold.
' Bento' 24" x 30" 2000. Sold.
Untitled 24" x 30" 1999. Sold.
Untitled 24" x 30" 1999. Sold.
Untitled 24" x 30" 1999 Available
'Forming' 30" x 24" 1999. Sold.
Untitled 30" x 24" 1999 Available
'Wovenhold' 36" x 48" 2000. Sold.
Untitled 30" x 24" 1996 Available
Untitled 30" x 24" 1996 Available
Proudly powered by Weebly